cowboys and indians

cowboys and indians

Cowboys and Indians are a large part of the American legend and both cultures are striving to be alive while holding on to a past. These rituals and traditions, although opposing, share many commonalities. In 2005 I photographed a powwow at the Pine Ridge Indian Reservation of South Dakota. Then in 2010 I had the opportunity to cover the Bull Riding Finals in Arkansas. What interested me was not the spectacle, i.e. what was happening in the main ring, but what was happening behind the scenes – preparatory to and alongside. Here one could see the prayers, contemplations, details and connections.

It wasn’t until much later that I brought the two sets of images together. It was in this juxtaposition that that sought “resonance” and sizzle of energy started to occur. Here two cultures crackled with life. The past came too. Two beautiful cultures side by side and you fill the void. I am not a photographer of cowboys and Indians. I had only this brief opportunity at two similar events. But I pray that this opportunity continues. And I’m sure it will as we remain Lost in Legend.

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cultural indicators

inner city/beautySigns are a cultural indicator. In other words snapshots of a time and place. So these snapshots are snapshots of culture really. These pictures of Roxbury, reveal signs of time. Be sure to check out the Signs of our Times blog by Mobius.

inner city/beauty

inner city/beauty

inner city/beauty

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Vp Art Magazine

Vp Art Magazine Cover

Vp Art Magazine is in the works, Vp is short for Viewpoint. Each edition will have a very limited hard copy run, for collectors only. However an online edition will provide a mass access to the art and theory featured within. It’s game plan is to highlight one artist and feature my art theory. These pictures reveal the cover concept.

Vp Art Magazine Cover

Vp Art Magazine Cover

Vp Art Magazine Cover

Vp Art Magazine Cover

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on your desk

art studio desk

Sometimes there is interest and beauty right on the desk that you are working on.

art studio desk

art studio desk

art studio desk

art studio desk

art studio desk

art studio desk

art studio desk

art studio desk

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cross-sensory overload?

Castagna photograph of Italian door

Is it possible to get a cross-sensory overload? I suppose so. I know that, although I simply love art museums, I can only take so much in at a time. Then I need to take a break at the cafe.

The Boston Globe recently published an article in their ideas section entitled “The Great Sensory Mixup”. I responded with a letter they called “The fine art of cross-sensory perception”.  (See links or read my response below.)

“Courtney Humphries’s “The great sensory mix-up’’ (Ideas, Dec. 11) was quite interesting to me. As an artist, I am well aware of the synergy that results within the senses, and believe most artists are too. Synesthesia is the intake of one aesthetic sense with the result of other senses arising. For example, one can look at a painting and have it bring back music to the ears. In the same way, one can imbue an art gallery with music and good wine and have the exhibition come off more successfully, as the entire experience creates a treat for the senses.

“Wine lovers often speak of the combination of senses that a wine brings about. Not to mention that wine imbibed during your vacation in Italy will become a special memory from then forward – a combination of scenery, taste, smell, and relaxation.

“‘Cross-sensory perception’ has been alive and well for quite some time in the art world. In this regard, the article misses a crucial point, one of aesthetics and not neuroscience. It is a matter of aesthetic sensibilities and awareness to one’s memories and present environment that lead to sensory combinations. To reduce it all to neurons is to lose the spirit of it all.”

Robert Castagna

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cell phone pictures

cell phone photography shadow

cell phone photography cafe

cell phone photography window

Aviary Gallery had a call for photographs this past month so I submitted a few. The above three were selected. I chose a few pictures that I felt were in line with my aesthetic, namely a pronounced reliance on shadow and light with an abstract and geometric feel. The three images above were taken in completely different settings but have a cohesion. The first was taken early morning walking down my studio staircase. The second while traveling in Italy this past November. We were in Florence walking along the Arno River. We found a cafe that served 1 euro jug wine in a plastic cup. The sun was setting and we couldn’t resist drinking our wine while seeing the light play over the Ponte Vecchio. The last picture was taken while walking along the Minute Man trail with my wife.

The opening reception is Thursday January 5th from 6:00 to 9:00 PM. Come and check it out as you’ll see these pictures and others, all taken with cell phones.

 

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door to door

Robert Castagna Italian blue door

Robert Castagna Italian brown door

Robert Castagna Italian red door

I found myself driving through the south of Italy and veering off the highway when the sun got good. Often I would find a door to my liking. My favorite door is the blue/brown one. It’s the blue and brown together and the age. Everything has age in Italy and the doors are no exception. In Japan we might call this wabi-sabi. The red door is off its hinge and this makes it even better. In fact 10 minutes after I photographed the door a couple of guys drove up and boarded it up! Imagine, the door was probably off its hinge for quite some time. I nicknamed this portion of the trip, “di porta in porta” which is Italian for “from door to door.”

 

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so mondrian

Castagna Mondrian

Castagna Mondrian

Castagna Mondrian

Castagna Mondrian
The untitled photograph chosen for the exhibition RED at the Cambridge Art Association (top above image) is from a series of pictures taken on road trips in the U.S. This particular photograph was taken in the summer of 2011 in a small town of Montana. It is essentially mondrian (used as an adjective). It’s geometric design of straight lines and squares, reds and blues are a throw back to the modernist painter Piet Mondrian. However what makes it photographic is the shadow shape which dominates the vertical, photography being about shadow and light.

When captured it was not preconceived in relation to past works of art. It was instead a distillation of a search. I was searching for “nothingness” in a small town. I wanted to find something in nothing and when I captured this I knew I had found it!

The other 3 images above were taken just this November of 2011 while in Italy. Again I was soooooooo mondrian.

 

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at the gallery

Broom and Shadow by Robert Castagna

Broom and Shadow

 

For a short period of time my large-scale images from The Art Complex Museum solo summer exhibition will be on display at Rolly-Michaux Gallery of Boston. The gallery is located at 290 Dartmouth Street in the Vendome Building, between Newbury Street and Commonwealth Avenue, and is open Tuesday through Saturday 11 to 5.

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museum acquistion

shinto shadows by Robert CastagnaShinto Shadows

Castle Reflection by Robert CastagnaCastle Reflection

I’m very happy to announce that The Art Complex Museum is acquiring Shinto Shadows and Castle Reflection for their permanent museum collection. This large scale photographs were taken in Kyoto Japan and were featured in a solo exhibition there during this past summer. For a short period of time both pieces, along with the other images from the museum show, will be on display at Rolly-Michaux Gallery located at 290 Dartmouth Street in Boston.

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